Demo reel · destination weddings

Film Art Studio

Destination Wedding Cinema

Twelve years and twelve countries filming destination weddings, from the glaciers of Iceland to the skyline of Dubai, and now from Los Cabos. 4K capture on cinema bodies, hand-graded colour, and a crew resident on the peninsula — no fly-in fee, no travel day billed.

  • 4K · Cinema bodies
  • Resident crew
  • 12 countries

Destination weddings & oceanfront ceremonies · Ultra-luxury production

Destination
Weddings

& Oceanfront Celebrations

Los Cabos · Baja California Sur · Worldwide

Collections · 2026 — 2027

Couple on a Caribbean cliff under a storm sky

A Statement
of Authority

An international wedding film and photography studio dedicated to cinematic storytelling for destination weddings, oceanfront ceremonies and ultra-luxury productions worldwide.

Twelve years and twelve countries, from the glaciers of Iceland to the skyline of Dubai. Weddings filmed in Dubai, Iceland, Rome, Spain, India, Costa Rica, Punta Cana, Los Cabos and Cancún — and now from Los Cabos, where the studio is based.

The twelve years before it were built on the Cancún and Riviera Maya circuit: the same planners, the same properties, the same expectations. This is the work the studio was built on. The standard the South Asian market later demanded — multi-day timelines, two crews, no second takes — was learned here first.

Our creative director works in cinema as well as weddings — a short film with a theatrical release — and brings that discipline to every wedding we take on: shot architecture before the day, colour graded by hand after it.

Top 10 Wedding Photographers in México — MyWed, 2023.
12 years and 12 countries behind the camera · Crew resident on the Baja peninsula.

Verifiable at mywed.com/es/photographer/filmsartstudio

The Director

Cristian Rada

Founder & Creative Director

Every wedding this studio takes is directed by the same person, from the first planning call to the final cut. Not assigned, not delegated, not sold by one and shot by another.

The weddings are one line of six. The others are what keep the craft sharp — and what your couples are paying for without knowing it.

Sony A1 with Carl Zeiss glass · 24 fps, LOG-C · Top 10 Wedding Photographers in México, MyWed 2023 · twelve years and twelve countries behind the camera, and resident on the peninsula.

Cinema

Short films and commercials. One with a theatrical release — Cinépolis, Zacatecas.

Colour

Every frame graded by hand in DaVinci. No batch presets, no outsourced editing.

Aerial

Certified drone pilot. The aerial unit is ours, never subcontracted.

Underwater

Editorial work below the surface. Different physics, same standard.

Nature

Glaciers, reefs, cenotes, volcanic fields. Twelve countries of location work.

AI Cinematics

Space Vision, an original sci-fi universe. The discipline behind the AI Story Scene.

Cristian Rada directing and shooting on location: desert, wedding, Europe and coastline

Our Philosophy

Timeless,
refined,
emotionally
precise.

Inspired by fashion, cinema and editorial storytelling, we create imagery that outlives the trend it was made in.

Each wedding is approached as a bespoke visual production, executed with precision, artistic sensitivity and absolute discretion.

We accept a limited number of weddings per year. That constraint is deliberate — it is what allows full creative focus, direct communication and an uncompromising standard on every frame we deliver.

  • Every project personally led by the creative director
  • Museum-level post-production, graded by hand
Couple silhouetted against the breaking surf at sunset

The Shape of the Weekend

The weekend
around the day.

Your couples fly a hundred and fifty people across a border and keep them for four nights. The collections cover the wedding day itself, by the hour. Everything else here can be added on top — and knowing what the weekend holds is how you decide which hours are worth buying.

  1. Welcome Party

    Night One

    The only night everyone is in one place and nobody is nervous yet. We shoot it like a party, not a receiving line.

  2. Rehearsal Dinner

    Night Two

    Long table, low light, speeches that are funnier than tomorrow’s. Fast glass, no flash on the table.

  3. Getting Ready

    Morning

    Two suites, two crews, one timeline. Detail work first, then the room as it fills.

  4. First Look

    Pre-ceremony

    Placed and lit before either of them walks in. The one moment we ask for — and the one they rewatch most.

  5. The Ceremony

    Golden window

    Angles fixed the day before, against the light and with it. Long lenses; distance is a form of respect.

  6. Golden Hour

    Twenty minutes

    The portraits the album is built around. We steal them back from the cocktail hour, by agreement with your planner.

  7. Reception

    Night Three

    Entrances, speeches, the floor. Lighting brought in and built — a dark dance floor is a decision, not an accident.

  8. The Send-Off

    Late

    Sparklers, boat, convertible, whatever it is. Rehearsed with the coordinator so it happens once and works once.

  9. Day After

    Sunrise

    The dress in the water, the desert, the arch. No guests, no schedule — the session that produces the frame they hang.

Six, eight or ten hours on the wedding day · the welcome party, the rehearsal dinner and the day-after session added by the hour · two crews when two suites run at once. You buy the hours you want covered, not a fixed weekend.

Rocky Baja coastline with the lighthouse beyond

On the Ground

The Peninsula

Los Cabos is not one venue market but three — Cabo San Lucas, San José del Cabo and the corridor out to the East Cape. Each has its own light, its own wind and its own rules.

The list is deliberately short — we name what we have worked, not a directory. Tell us where you are placing the wedding and we handle the access.

We have earned our way into these properties one wedding at a time:

  • Grand Velas Los Cabos
  • Garza Blanca Resort & Spa
  • Hard Rock Hotel Los Cabos

And the corridor where the craft was learned, north to south:

  • Cancún · Zona Hotelera
  • Costa Mujeres
  • Puerto Morelos
  • Playa del Carmen
  • Tulum
  • Resident crew — no fly-in fee, no travel day billed
  • Venue-specific light windows mapped before the timeline is locked
  • Vendor access and shot permissions negotiated with the property in advance

Importing a crew from the United States or Canada adds US$1,500–3,500 to a wedding budget before a single frame is exposed. Ours is already here.

Beyond the Resort

The frames you will hang
are not shot in a ballroom.

A resort gives you the celebration; the territory gives you the images that outlive it. Every wedding includes a conversation about where — beyond the property line — we take you for the portraits. Our rule of thumb is that time is best spent within an hour of the property, though that is a recommendation and not a limit: for a pre-wedding session we have travelled as far as Iceland and worked five days across multiple locations. If a place matters to you, we will go.

Baja California Sur

The Arch

El Arco at the tip of the peninsula, reached by water at first or last light. The most recognisable frame in Baja, and the hardest to shoot well.

Desert & Dunes

The Pacific dunes and the cardón desert behind them — vast, empty, and a scale no ballroom can give you.

Coastline

The East Cape and the Sea of Cortez: black volcanic rock, still water, and light that lasts an hour longer than the forecast says.

Santa María Bay

A protected turquoise cove on the corridor, twenty minutes from most properties — calm water, pale sand, granite headlands.

The Estuary

The Estero de San José, where freshwater and palms meet the sea. Green, shaded and unexpected in a desert — the counterweight to every beach frame.

Old Town

San José del Cabo's art district and Todos Santos — colour, texture and architecture, for couples who want their portraits to feel lived-in.

Mexican Caribbean

Cenotes

Freshwater caverns under the jungle, lit by a single vertical shaft. It is the one place on the corridor where the light arrives clean and from directly above.

Jungle & Sacbé

Limestone paths through closed vegetation. Dense green, high shade and a palette that is the exact opposite of the desert.

Tulum Coastline

White sand against turquoise water, with the low cliff line and the palms leaning under the east wind.

Last light over the volcanic rock of the coastline

We do not document weddings.
We craft visual legacies.

Cristian Rada — Founder & Creative Director

Collections

The Collections

Three collections, each available as photography alone, cinema alone, or the complete archive. All figures in US dollars, net of tax, with ground transport across Baja California Sur included.

Destination & Oceanfront Weddings

Photography

From$4,400USD

For couples who want the still image to carry the whole story. Every frame is culled, retouched and colour-graded by hand — no batch presets, no outsourced editing.

Signature

The wedding day · six hours

$4,400USD

  • One photographer
  • 600+ hand-edited images
  • Private online gallery, 24 months
  • Two social-ready verticals
  • Final delivery in four to five months

Prestige

The wedding day · eight hours

$6,000USD

  • Two photographers
  • 1,000+ hand-edited images
  • Editorial portrait session
  • Private online gallery, 24 months
  • Four social-ready verticals
  • Final delivery in four to five months

World Class

The wedding day · ten hours

$7,600USD

  • Two photographers
  • 1,600+ hand-edited images
  • Editorial portrait session
  • Day-after session included
  • Private online gallery, 24 months
  • Six social-ready verticals
  • Final delivery in four to five months

Photography collections may be combined with any Cinema collection. The Complete collections hold both for less than the sum of the two.

Destination & Oceanfront Weddings

Cinema

From$4,800USD

Film is where a wedding becomes time-based again — the sound of the vows, the walk, the speech that broke the room. Shot on cinema bodies in log and graded on a colourist’s timeline.

Signature

The wedding day · six hours

$4,800USD

  • One cinematographer
  • Cinematic 4K aerial coverage
  • Short film, 3–4 minutes
  • Feature film, 25–35 minutes
  • Teaser within ten days
  • Final delivery in four to five months

Prestige

The wedding day · eight hours

$6,400USD

  • Two cinematographers
  • Cinematic 4K aerial coverage
  • Short film, 4–5 minutes
  • Feature film, 40–50 minutes
  • Teaser within 48 hours
  • Final delivery in four to five months

World Class

The wedding day · ten hours

$8,000USD

  • Two cinematographers
  • Same-day edit screened at reception
  • Cinematic 4K aerial coverage
  • Short film, 5–7 minutes
  • Feature film, 60–80 minutes
  • Teaser within 24 hours
  • Final delivery in four to five months

Ask us about the Same-Day Edit: a film cut on location while the celebration is still running and screened during the reception. It is the one thing guests talk about on the drive home. Included in World Class, available on any collection. Every cinema collection carries location sound on the ceremony and speeches, with music licensed for worldwide, perpetual private and social use.

Destination & Oceanfront Weddings

The Complete Archive

From$7,200USD

Both disciplines, one crew, one creative direction. This is how we prefer to work and how the overwhelming majority of our couples book — photographers and cinematographers who have shot together for years, never fighting each other for the same frame.

Signature

The wedding day · six hours

$7,200USD

  • One photographer · one cinematographer
  • Cinematic 4K aerial coverage
  • 600+ hand-edited images
  • Private online gallery, 24 months
  • Short film, 3–4 minutes
  • Feature film, 25–35 minutes
  • Teaser within ten days
  • Two social-ready verticals
  • Final delivery in four to five months

World Class

The wedding day · ten hours

$12,200USD

  • Two photographers · two cinematographers
  • Same-day edit screened at reception
  • Cinematic 4K aerial coverage
  • 1,600+ hand-edited images
  • Private online gallery, 24 months
  • Editorial portrait session · day-after session
  • Short film, 5–7 min · feature film, 60–80 min
  • Teaser within 24 hours
  • Six social-ready verticals
  • Final delivery in four to five months

The Complete collections carry a built-in value against booking the two disciplines separately — we bundle the work in rather than discount it out.

Side by Side

What Each Collection Holds

ItemSignaturePrestigeWorld Class
Crew
PhotographersOneTwoTwo
CinematographersOneTwoTwo
Coverage
Hours on the wedding daySixEightTen
Day-after sessionAdd-onAdd-on●
Photography
Hand-edited images600+1,000+1,600+
Editorial portrait session—●●
Cinema
Short film3–4 min4–5 min5–7 min
Feature film25–35 min40–50 min60–80 min
Same-day edit at reception——●
Teaser delivered withinTen days48 hours24 hours
Cinematic 4K aerial●●●
Delivery
Social verticals246
Private gallery24 months24 months24 months
Final delivery4–5 months4–5 months4–5 months

Figures shown are minimums, not ceilings. We deliver every frame that meets our standard — the numbers above are what we contractually guarantee. Delivery windows run from the day after the final event.

Beyond the Collection

Enhancements

Each of these can be added to any collection. Several are already included at the higher tiers — we will always tell you when you are about to pay twice for something you already have.

Additional Hour$850

Coverage beyond the hours in your collection, billed by the hour and agreed with your planner before the timeline is locked. Same crew, same standard. It is also how the welcome party and rehearsal dinner get covered.

Additional Artist$1,200

One more photographer or cinematographer for large-guest events or two suites running at once. Priced per event day.

Same-Day EditScreened live$1,500

A 3–5 minute film cut on location while the celebration is still running — the most cinematic and symbolic moments of the day, edited and screened before the night ends. Guests watch themselves as a film hours after living it, and the room reacts. It is the piece nobody forgets.

AI Story SceneScreened live$2,600

Your couples write a short fiction — wherever they want to be, whoever they want to be. We record their faces on the day and build it into a 30 to 60 second cinematic scene, screened at the reception beside the Same-Day Edit.

Day-After Session$950

Sunrise or last light, no guests and no schedule: the arch, the dunes or the water. Two hours, second outfit, art-directed. Included in World Class.

Long-Form Event Edit$500

One event cut end to end and uninterrupted — the full ceremony, the speeches entire. Priced per event.

48-Hour Teaser$500

A 60–90 second vertical cut delivered within 48 hours of the last event. For Signature, whose teaser lands within ten days — Prestige and World Class already carry it at 48 and 24 hours.

Editorial Portrait Session$1,400

A separate art-directed session at a location of your choosing — arch, desert, dunes or coastline. See Beyond the Resort.

FPV Aerial Unit$450 / hour

A specialist first-person-view pilot — a separate discipline from our standard aerial unit. Placed only where it earns the shot: ceremony entrance, portraits, reception reveal.

Vertical Social Suite$1,200

Twenty short-form vertical cuts formatted for Reels and TikTok, delivered weekly — additional to the verticals already included in your collection.

Full Raw Archive$800

Every original file, ungraded, delivered on an encrypted physical drive.

All enhancements are quoted in US dollars, net of tax, at published rates. The FPV unit carries a two-hour minimum and, where a property charges vendor access for an additional operator, that fee is billed at cost and never marked up.

How We Work

The Process

Five stages, from first call to final archive. Nothing here is improvised — the calm on the wedding day is the product of everything that happened before it.

  1. Conversation

    A thirty-minute call with the creative director. We look at the venue, the timeline and what matters most to the family.

  2. Date Hold

    A signed agreement and a 50% retainer secure the dates. We accept a limited number of weddings per year.

  3. Creative Direction

    Six weeks out we build the shot architecture with your planner: light windows, ceremony blocking, off-property locations, contingency for weather.

  4. The Days

    We arrive early, we scout, we stay out of the frame. Your guests should never notice how much we are working.

  5. The Archive

    Selects and grade in DaVinci Resolve. Teaser first, then the films, then the full gallery — each on the schedule written into your agreement.

Craft & Safeguards

What Stands Behind It

We lead with the image, not the equipment. What follows is for the planner and the family who want to know what stands behind it — and what happens if something goes wrong.

Nothing Is Lost

Dual card recording in every body. On-site backup to two independent drives before the crew leaves the venue, and a cloud mirror within 24 hours. Three copies of your wedding exist before we sleep.

Crew Continuity

Every artist on your wedding is named in the agreement. If illness or accident makes one unavailable, we field a replacement of equal standing at our cost — never a cancellation, never a downgrade.

Capture

Sony A1 as principal body, recording S-Log3 / S-Gamut3.Cine in 10-bit; secondary bodies matched to the same colour science. Carl Zeiss and G-Master primes and zooms — fast glass for candlelit interiors, long telephoto for ceremonies where distance is a form of respect.

Aerial

Cinematic 4K aerial unit for processions, venue reveals and coastline, flown where the venue permits it. FPV is a separate discipline with a specialist pilot — quoted under Enhancements.

Light & Movement

Continuous LED and battery-powered strobes, shaped and diffused; gimbal, slider and shoulder rig. Natural light is respected first and the camera moves only when the story moves.

Post-production

DaVinci Resolve Studio, YRGB colour-managed. ARRI LogC intermediate, Kodak 2383 print emulation, HDR-capable master with a Rec.709 delivery. Every frame graded by hand — no presets, no batch.

Backup is a procedure here, not a promise: three independent copies of your wedding exist before the crew sleeps, and the archive is held for the full life of your gallery.

The Agreement

Terms & Investment Notes

Currency & Payment

All figures are in US dollars, net — we do not charge IVA. Wise is our preferred channel and adds nothing; PayPal adds its own processing fee; a direct bank transfer adds 16%.

Retainer & Schedule

A 50% retainer confirms the dates. The balance is due before the wedding — up to and including the day itself, never after it.

Travel & Accommodation

Ground transport within Baja California Sur is included and no fly-in fee applies — we live here. For celebrations that run past midnight or start before dawn on consecutive days, the crew is accommodated at the property within the guest block; your planner builds those rooms in. Destinations beyond the peninsula are quoted at cost.

Venue & Vendor Fees

Where a resort applies a vendor-access fee it is a cost of the venue, not of the collection, and is settled by the couple through the planner. We never mark it up, and we will flag it before it becomes a surprise.

Weather & Force Majeure

Baja runs a hurricane season from June to November, as does the Mexican Caribbean. If a named storm, civil authority or venue closure moves your date, we move with it at no rebooking fee, subject to availability; if we cannot, the retainer transfers to a new date within eighteen months.

Delivery

Delivery windows begin the day after the final event and every collection carries a written delivery date in the agreement. A signed contract governs all terms; this page is a summary of investment, not the agreement itself.

For Planners & Venues

We work with a small number of planners as preferred partners, on rates and terms agreed by season. If you place destination weddings regularly, write to us and we will talk.

All figures are the published 2026–2027 rate, in US dollars and net of tax, with ground transport within Baja California Sur included and no fly-in fee — the crew is resident. The hours cover the wedding day; the welcome party, rehearsal dinner and day-after session are added by the hour.

The Work in Motion

Weddings Filmed

Ana & Anthony

Mexican Caribbean

Ana & Anthony

Garza Blanca Resort & Spa · Cancún

A destination wedding facing the Caribbean, shot entirely in 4K on the Sony A1 with a Mavic Air 3S aerial unit. The piece runs from the preparations in the suite to the celebration by the sea, using the resort’s open architecture as staging: the first look happens indoors, in shadow, before stepping out to the terrace — the contrast between the two spaces structures the opening of the cut.

Venue
Garza Blanca Resort & Spa Cancún
Capture
Sony A1 · 4K
Aerial
Mavic Air 3S

Photography from the same wedding — shot in 2.35:1 anamorphic ratio, using late afternoon light over the sea.

Ana & Anthony — Garza Blanca Resort & Spa · Cancún (1)
Ana & Anthony — Garza Blanca Resort & Spa · Cancún (2)
Ana & Anthony — Garza Blanca Resort & Spa · Cancún (3)
Ana & Anthony — Garza Blanca Resort & Spa · Cancún (4)
Asia & Kyle

Costa Mujeres

Asia & Kyle

TRS Coral Hotel · Riviera Maya

An adults-only resort in Costa Mujeres and an elegant celebration by the Caribbean Sea. From intimate preparations to the party, covered with the usual standard: natural light respected, detail, genuine emotion, and the property’s atmosphere treated as part of the story rather than a backdrop.

Venue
TRS Coral Hotel
Location
Costa Mujeres, Riviera Maya
Alice & Sergio

Mountain destination

Alice & Sergio

La Huasteca · Monterrey

Not every destination wedding is a beach. This one happens in the mountains of Monterrey, with the peaks of La Huasteca behind it, resolved with the Sony A1 in 4K and an FPV drone running the range. Different weather, different palette, different physics of light — the same direction.

Location
La Huasteca, Nuevo León
Capture
Sony A1 · 4K
Aerial
Dron FPV
Nikki & Kirtan

Pre-wedding session

Nikki & Kirtan

Mar del Cabo by Velas · Los Cabos

This is exactly what the editorial portrait session buys: time given only to the couple, art-directed, with none of the ceremony clock on top of it. Filmed at Grand Velas Los Cabos and its sister hotel Mar del Cabo, in 4K on the Sony A1, with 240 fps plates for the slow motion and an aerial unit over the Baja coast.

Venues
Grand Velas Los Cabos · Mar del Cabo
Capture
Sony A1 · 4K · 240 fps

Alice & Sergio · La Huasteca · Monterrey

Photography from the same wedding: quarry stone, pines and the range behind. The portrait session was resolved entirely outside the ballroom.

Alice & Sergio — La Huasteca · Monterrey (1)
Alice & Sergio — La Huasteca · Monterrey (2)
Alice & Sergio — La Huasteca · Monterrey (3)
Alice & Sergio — La Huasteca · Monterrey (4)
Alice & Sergio — La Huasteca · Monterrey (5)
Alice & Sergio — La Huasteca · Monterrey (6)
Alice & Sergio — La Huasteca · Monterrey (7)
Alice & Sergio — La Huasteca · Monterrey (8)

Photography only

Antuan & Berenice

Durango · colonial north

They celebrated beneath 18th-century quarry-stone vaults under a suspended floral installation several metres deep. The setup was documented as production design: the foliage portal, the aisle of pillar candles, the imperial table mirrored on black glass. Historic architecture treated as a set, not as a backdrop.

Antuan & Berenice — Durango · colonial north (1)
Antuan & Berenice — Durango · colonial north (2)
Antuan & Berenice — Durango · colonial north (3)
Antuan & Berenice — Durango · colonial north (4)
Antuan & Berenice — Durango · colonial north (5)
Antuan & Berenice — Durango · colonial north (6)

This is not for everyone.
It is for those who understand
the value of legacy.

Film Art Studio

Cristian Rada — Founder & Creative Director

Check availability